Lucy Schwartz Winter In June Rar File

• Lucy Schwartz Winter In June Rar Files

This post completes the documentation of a double performance by the G.Lewis Ensemble at the end of April 1979 in Verona (see and ). The same Ensemble that recorded 'Homage to Charles Parker' for Black Saint: the two long suites / compositions are clearly an extended version of the songs on the album. Special thanks to my dear friend Mr. Zero who recorded the concert. Live at 'Sala della Guardia', Verona, Italy, on April 30, 1979 (mics recording) George Lewis,trombone,electronics Douglas Ewart,alto sax,bass clarinet,flute Anthony Davis,piano Richard Teitelbaum,synth 1. Suite #1 (35:44) 2. Suite #2 (46:28) Total Time 1:22:12.

This is one of Gulda's Lesser known records, oddly enough produced for a label, that specialised in so called 'Kraut Rock', Great bands such as Wolfgang Dauner's Etcetera, Neu, Harmonia,Guru Guru and Embryo as well as tedious forgettable Euro trash, like Birth Control, Jane and Scorpions. This now unfortunately rare double lp, is the most experimental jazz related outing on the cult label, and is regrettably despite being among the best things on the label almost unknown, certainly little heard. The Mysterious Ursula Anders, was Gulda's life partner, and plays percussion and various objects on this. When i originally found this gem 20 something years ago, off course i had no idea, who Gulda was, and was largely interested in Cecil taylor, Surman, Phillips, Mangelsdorff, and Stu Martin (whom incidently at around this time were performing and recording together as Mumps). That all changed, i am now an Avid Gulda fan., it ISVexing that so little of his fairly large body of work is currently available. Lacy's,Greatest Japanese lp (IMO, not that i've heard them all), and a very strong Contender for Best Lacy record period!

This was without a doubt one of his very best bands, the searing ecstatic almost unbearable intensity of most of this set,is unusual and not often found in Lacys ouevre Even on 'Free'classics like forrest and the zoo,and Roba, lacy is often restrained,dry analytical, and sounding slightly detached. Here we have some of his most violently expressionistic gestural playing on record, all while maintaining the spacious and uncluttered character of this sequence of Japanese records. This definitive version of Deadline, is incredibly haunting,Ikeda, Yoshizawa and Midorikawa hazily shimmering beneath some opiated distant glimpse of a slowly submerging dissapearing floating world.

Unique and very beautiful. S 'This album has a very dark mood, especially with the arco basses and the dissonant piano. The percussion too adds to the mood. Every one plays well and interprets Lacy's composistions in a way that works exclusively with the selected sideman. If the album was recorded with his regular group at the time (Abei, Potts, Few, Carter, Johnson) it would have been completely different.'

'prospectus', (from the comments to our initial mp3 post) Steve Lacy Sextet-THE WIRE, 1/ The Twain (Lacy) 6:31 2/ Esteem (Lacy) 8:40 3/ The Owl (Lacy) 4:17 4/ The Wire (Lacy) 4:58 5/ Cloudy (Lacy) 6:12 6/ Dead Line (Lacy) 8:06 Recorded at Nippon Columbia's 1st Studio, Tokyo, June 18, 1975 Steve Lacy: soprano saxophone Masahiko Satoh: piano Masahiko Togashi: percussion Keiki Midorikawa: cello, bass Yoshio Ikeda: bass Motoharu Yoshizawa: bass 1977 - Denon Jazz (Japan), YX 7553 (LP) Note: (3) is a duo with Steve Lacy and Masahiko Togashi. A special gift, from our old Crony glmlr, Highly appreciated. Read a Review Don Cherry-Organic Music Society 1972 - double LP - Caprice CAP 2001 - RIKS DLP1, Sweden Recorded on various dates in 1971 & 1972, in Stockholm and Copenhagen. 'Documentary' (i.e.

Probable amateur) recordings. Main performers: Cherry Don, trumpet, piano, voice, percussion, flute Vasconcelos Nana, percussion, voice Berger Bengt, percussion, tabla Temiz Okay, drums, percussion. Plus 'various visitors and friends'.

Stereo, except as below. North Brazilian Ceremonial Hymn (mono) 2. Elixir / Manusha Raga Kamboji Side B 1. Relativity Suite: part one 2. Relativity Suite: part two Side C 1. Terry's Tune / Hope / The Creator Has a Master Plan / Sidhartha (one continuous track).

Utopia & Visions 2. Bra Joe from Kilimanjaro (mono) / Terry's Tune (mono) 3.

Resa (mono) thanks Again glmlr! MAARTEN ALTENA QUARTET 'PISA' Maarten Altena, double bass Maud Sauer, oboe & alto oboe Paul Termos, alto saxophone Maurice Horsthuis, viola Side A: 1. Hendrik Jan 06:20 2. Morina Di Pisa 04:21 3. Beertjes 04:35 4. Duizendpoot 05:56 Side B: 5.

Portret van Emo Verkerk (a), Gemacramatiseerd portret (b) 03:23 6. Traan 06:23 7.

Prettig Weekend 01:48 8. Bleekgezicht 03:18 9. Bakkum 04:27 Recorded April 13, 1981 (live concert in Pisa, Italy). The concert was part of the winter program organized by 'Center for Research into Improvised Music' (CRIM). CLAXON 82.11 (lp rip) Note: Not my rip - the first piece(s) from Side B are missing (B1. Portret van Emo Verkerk, B2 Gemacramatiseerd portret (Termos).!!!!

I got the missing piece!!!! For sending it! See comments for the link. Here's a Re-up load of something, posted here some years ago by Boromir, its been requested a few times. Roughly contemporaneous, with the magnificent Dreams, on Savarah of the same year, yet sharing almost exactly the same line up as Scraps from 1974, an important slice of unofficial Lacyanna. Fourth (or so) re-up (May 2015) - first ny Boromit than from Kinabalu. Or was is it Sotise before him - and now.enjoy.

Lucy Schwartz Winter In June Rar Files

Steve Lacy, soprano saxophone Derek Bailey, guitar Irene Aebi, cello, violin, vocals Kent Carter, bass, cello, harp Noel McGhie, drums 1. The Crust (Lacy) 2. Micro Worlds (Lacy) 3. The Throes (Lacy) 4. Flakes (Lacy) Studio 104,Maison De Radio France,Paris, France October 17, 1976 Info from Jazz-Realities magazine No.3 November 1983 FM-??-CDR-EAC-FLAC this originates from Dime-A-Dozen thanks to whomever preserved it for posterity! Dear Andy - Thank you!

Read this wonderful essay on John Stevens JOHN STEVENS QUINTET 'COVENTRY, 1990' Annie Whitehead, trombone Ed Jones, tenor & soprano saxoophone Neil Metcalfe, flute Paul Rogers, bass John Stevens, drums Set 1: 1. Unknown title 14:08 2. Unknown title 18:40 3.

Unknown title 08:42 Set 2: 1. Unknown title 14:32 2. Unknown title 11:26 3. Unknown title 15:59 4.

Unknown title 06:24 5. Unknwon title 13:00 6. Unknwon title 13:57 Recorded on 22nd June, 1990 at the Tic Toc Club, Coventry, UK. The latest in our out of print Lacy series, not exactly a Personal favourite, rather a perfectly pleasant intimate duo session with Kent Carter,Lacys regular bassist for a dozen or so years.

Nice moments, including some rare tunes(Hex,Vow) Which don't seem to have been otherwise recorded. So certainly not a desultory effort by any means, just a little unremarkable in an under powered /or lacking energy kind of way. I'm glad i heard it without paying the big bucks for which it sells at auctions. This is not my rip, so thanks again to LeMo,from Sfrp who posted this some years ago! CATCH: Steve Lacy, Kent Carter 1/ Mumps (Lacy) 8:14 2/ Tickets (Lacy) 7:18 3/ Hex (Lacy) 5:58 4/ Vow (Lacy) 3:49 5/ Catch (Carter) 8:43 Recorded at Chantalain Studio, Rome, September 17, 1977 Steve Lacy (except on (5)): soprano; Kent Carter: bass. 1978 - Horo (Italy), HZ 08 (LP) PS/ Big Thanks to Mew23, who has provided some cover scans! (see comments). There have been a few requests for this over the years, a fine record from 1978, long out of print, which opens with a stunning Version of Ellingtons the Mooche, which as recorded by Sydney Bechet in 1941, apparently was the catalyst for Lacy finally dedicating himself to the Soprano saxophone and the Arrangement is not light years removed from the original, apart from a few trade mark whole tone scales.

Although at first it seems rather clunky,somehow the spare less effusive treatment, gives the great tune a more distant outer worldly character, lacy seems for a few fleeting moments in his solo to directly quote Bechets own. The blues feeling of which is almost completely erased, the Blues was never a huge influence on lacys repertoire, Potts touches on those aspects very effectively. Pot Pourri the second piece is a brief solo medley, and one of the few times in his entire discography where Lacy directly references John Coltrane, by quoting Tranes arrangement of my favourite things, as everyone knows Lacy's Soprano saxophone playing,inspired Coltrane in much the same way Bechet inspired him, with very different results,some of which have had baleful dire consequences on players of the instrument ever since. The rest is the band in gloriously fulsome free mode, including the 3 very fine at times explosive Potts/Lacy duets which make up the 3 points suite, Potts is so great on this,every bit as engagingly inventive as Lacy,often Upstaging him. What a wonderful under appreciated, under recorded master saxophonist!

All in All a typically wonderful session from this period ENJOY!! S PS-I picked this up online at the SFRP Forum, four or five years ago, this is not my rip. A Big thanks to LeMo,the Original presumed ripper, and Uploader!! I havent changed the files in anyway. Other than tagging them.Points-: Steve Lacy (sop) Steve Potts (sop,as) Kent Carter (b) Oliver Johnson (d) Paris, February 1978,Le Chant du Monde (F)LDX74680 The mooche Pot-pourri solo (sl solo) - Stalks (sp out) - Three points suite: Free point (sl,sp duet) - Still point (sl,sp duet) Moot point (sl,sp duet).

This line-up, the same day, recorded at 'Barigozzi Studio' (in Milan) the B.Higgins album 'Soweto' for Red Records. Live at 'Capolinea', Milan, Italy, on January 21, 1979 (mics recording) Cedar Walton,piano Bob Berg,tenor sax Tony Dumas,bass Billy Higgins,drums + Larry Nocella,tenor sax (5/6) 1. Ugetsu (Fantasy In D) C.Walton (11:09) 2. For All We Know S.M.Lewis/J.F.Coots (09:42) 3. Ojos De Rojo C.Walton (08:03) 4. Holy Land C.Walton (10:00) 5. Blue Monk/Rhythm-A-Ning T.Monk (19:12) 6.

I Can't Get Started V.Duke/The Theme M.Davis (12:28) 7. I Didn't Know What Time It WasL.Hart/R.Rodgers/Off Minor T.Monk/Firm Roots C.Walton (27:02) Total Time 1:37:39. MASAHIKO TOGASHI 'BURA-BURA' Don Cherry, pocket trumpet, piano, vocal Steve Lacy, soprano saxophone Dave Holland, bass Masahiko Togashi, drums, percussion CD 1 1.

The Crust (Lacy) 11:07 2. Contrast (Togashi) 11:35 3. I Speak To The Star Last Night (Togashi) 11:44 4. Flakes (Lacy) 12:40 5. Luna Turk (Gianpiero Pramagione) 05:06 CD 2 1.

Bura-Bura (Togashi) 12:16 2. Wickets (Lacy) 12:16 3. Mopti (Cherry) 05:32 4. Quakes (Lacy) 11:15 5. Spiritual Nature (Togashi) 17:57 Recorded live at Yubin Chokin Kaikan Hal, Tokyo on May 14, 1986. PAN MUSIC/ALFA 50XB-107/8 (2 x CD) Other Issues: BURA - BURA.

PAN ALZ-28006 (2, 4, 6-7 only) (LP) BURA - BURA. PAN PMC-1103 (EUR) (6-10 only) (CD) Notes: Recorded from 'Masahiko TOGASHI 30th Anniversary Concert - Now and Future'. Album produced by TOGASHI Masahiko, et al. Cover painting by TOGASHI Masahiko. Sixth event/concert for the series 'I Concerti di Un Certo Discorso'. The complete list of all concerts.

Live at 'Teatro dell'Opera', Rome, Italy, on April 21, 1980 (radio broadcast) Albert Mangelsdorff,trombone Manfred Schoof,trumpet & soprano flugelhorn Giancarlo Schiaffini,trombone Paolo Damiani,bass Billy Higgins,drums + RAI Big Band: Nino Culasso/Doriano Beltrame/Cicci Santucci/Michele Lacerenza,tps - Giancarlo Beccattini/Ernesto Pumpo/ Marco Pellacani/Gennaro Baldino,tbs - Gianni Oddi/Baldo Maestri/Sal Genovese/Beppe Carrieri/Carlo Metallo,reeds - Sergio Coppetelli/Pino Rucher,gt - Maurizio Majorana,b - Carlo Zoffoli,vib 1. Supraconductivity A.M. (10:16) 2. Introduction And March Of The Jazz Aspects A.M. (14:19) 3. Unknown (15:30) 4. Mood Indigo D.E.

(06:41) 5. Unknown (10:04) 6. A.M. (08:59) 7. Mood Azur A.M. (04:29) 8. Open Mind A.M.

(09:28) 9. Unknown inc. (13:40) Total Time 1:33:30. One week before the realisation of 'Eternal Duo' took place in Tokyo, Lacy and Togashi joined their forces with Kent Carter. The fruits of this endeavor can be heard through the 'Spiritual Moments' on this exquisite recording. MASAHIKO TOGASHI TRIO 'SPIRITUAL MOMENTS' Steve Lacy, soprano saxophone Kent Carter, bass Masahiko Togashi, drums, percussion 1.

It's Freedom Life (TOGASHI) 08:52 2. The Window (LACY) 07:28 3. Poem In The Shadow (TOGASHI) 07:51 4. Steps (TOGASHI) 04:33 5. The Crust (LACY) 06:19 Recorded at King Records Studio #2, Tokyo, October 15-16, 1981. PADDLE WHEEL/KING K28P-6138 (this version PJL MTCJ 5603) Enjoy!.

Lucy Schwartz is a sinqer-songwriter with an “old soul” that belies her young age of seventeen. Although her influences are varied, the result is a truly original and timeless musical voice.

Coming from a family of musicians and artists, music is definitely in her blood. She began writing instrumental piano pieces at eight years old, and a year later, she won the National Reflections Competition for music composition in elementary schools. When Lucy was twelve, a songwriter’s performance so inspired her that she came home that night and wrote her first song with lyrics. She hasn’t stopped since then! Lucy is the winner of the 2007 International Songwriting Competition in the teen category for the song, I Don’t Know A Thing. Her songs have been featured on the TV series, South Beach and Runaway.

Her singing can also be heard on the Emmy Award-winning series, Arrested Development. Now it can be told, the sultry chanteuse of “Mr.

F” on Arrested Development is, in truth, the voice of Lucy. There's hope for the future! That's the conclusion one reaches after listening to the excellent CD, Winter in June, written and performed by young Lucy Schwartz. While others are wailing and screaming, Ms, Schwartz knows a secret: it's modesty and subtlety that really draw a listener in. Although there's great music and melody to spare in these compositions, nothing gets in the way of the wit and feeling embedded in each song. And best of all is Ms.

Schwartz's gentle but knowing voice, always in tune, and always used not to show off, but to express the content of the song. A fresh and unique sound, an auspicious debut! Ian Fastasteriffabolus! Now that's what I 'm talkin about!

This is the kind of music we need more of on the radio. With seamless music and lyrics, Lucy has an incredible ability to write songs where not a word is wasted and every note matters. Her vocals are beautifully subtle yet vulnerable and passionate with an understanding of poetry that far surpasses her years. Every song shows another side of this talented artist. The music is fresh yet familiar and you feel like she's tapped into your very soul. The production and arrangement of the songs perfectly compliment her unique style.

Truly unforgettable! Carol Aquino Wonderful.